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Nancy Tingey

Nancy Tingey
Artist's statement

Brought up drawing painting and stitching in the midst of Lancashire's cotton mills with a mother who always seemed to be sewing I suppose it was inevitable that I would end up a textile artist. Though trained as a painter, I turned to textiles out of practical necessity, travelling with a geologist husband and three small children. You could stitch while in camps, on trains and at school meetings and still think big.

For twenty years I was a designer/quiltmaker. I played with bits of fabric to build up large-scale colour combinations. Then the influence of Textile Fibre Forum workshops began to take its toll and experimenting with textiles became a way of life.

And in its turn textiles were to help me find a way of resolving life issues. Holding dual nationality and commuting between Australia and England, I used my art work to research problems related to identity, dislocation, and migration. Feltmaking in which fibres from different backgrounds present different characteristics or behaviour traits according to heredity, environment and processing techniques become the perfect metaphor. Two Ply - about going backwards and forwards, combining two threads and working with needles - became the theme of postgraduate studies. Qualifying with the University of Central Lancashire returned me to my roots.

Now back in Australia I continue to look at ways of expressing emotional responses to the environment and human activity through textile media. At present I am researching netmaking and the use of flexible looping techniques to form containers.

Fabric of Life, 2004. Video
(as part of the Two Ply exhibition at Craft ACT: Craft and Design Centre)
Nancy Tingey and Danielle Shaw
(media department, Cumbria Institute of the Arts, UK)

Recent work
Back to the Fold (installation)
  • Back to the Fold (installation), 2007
  • Herdwick and Merino wool, machine needle felted
  • Dimensions: 2000 x 70cm
  • Photo: Creative Image Photography
Summit (detail)
  • Summit (detail), 2006
  • Herdwick and Merino wool, machine felted
  • Dimensions: 61 x 94 cm
  • Photo: Creative Image Photography
Cloud Nine (installation)
  • Cloud Nine (installation), 2007
  • wool felt
  • Dimensions: 300 x 300cm
  • Photo: Creative Image Photography
Lead Down Under (installation)
  • Lead Down Under (installation), 2006
  • goose down, cotton thread, lead weight
  • Dimensions: 5 x 210cm
  • Photo: Geoff Woolfenden

Fibre of Being
  • Fibre of Being, 2004
  • digital print of scanned machine felted wool
  • Dimensions: 30 x 40cm
  • Photo: Courtesy of the artist
(K)not Nets (installation)
  • (K)not Nets (installation), 2004
  • Herdwick and Merino wool, hand spun, plied and knotted
  • Photo: Courtesy of the artist
Biography

Nancy Tingey graduated with honours in painting and stained glass at Kings College, Durham University, home of Richard Hamilton's Developing Process which revolutionised British art schools in the 1960's.

She then trained as an art curator, working in regional galleries in England and, twenty years later, in national museums and galleries in Australia. She also lectured in art schools, including the Australian National University School of Art.

Soon after graduating she won a travelling scholarship to study modern stained glass in France and Switzerland. This led to lecturing opportunities but limited practical work. Although Nancy exhibited and carried out commissions her glass work had become secondary to her textile practice by the mid 1980's.

By this time Nancy's pieced fabric works had been reproduced in several quilt publications and she had become a recognised colour and design workshop presenter for textile artists in Canberra and Tasmania.

Then her husband was diagnosed with Parkinson's disease. Nancy went back to museum work for five years, then picked up on another strand of her previous visual arts career, teaching adults to paint. This led to her founding Painting with Parkinsons in 1994. In 1995 she was awarded a Churchill Fellowship to look at ways of using art as a therapy for Parkinson's disease, travelling to Italy, Switzerland, Holland, the United Kingdom, Canada and United States of America. After that she divided her visual arts activity time between her Parkinson's work and her studio practice.

From 2002 to 2006 Nancy worked in a studio in Cumbria, northwest England from where she studied for her MA in Contemporary Applied Art (textiles), qualifying with distinction in 2004. She returned to live in Australia in 2006.

Nancy is currently working in a studio at Strathnairn Arts Association, Canberra.

Selected exhibitions
2007:   Two Ply, Craft ACT - Canberra
2007:   Exhibition, Watson Arts Centre - Canberra
2006:   Exhibition, Michaelhouse, Cambridge
2006:   Exhibition, The Barbican, London
2006:   Exhibition, The Edge Gallery - Lancaster, UK
2006:   2 Materials, Craft ACT: Craft and Design Centre - Canberra
2005:   Exhibition, Black Swan Arts - Frome, Somerset
2005:   Exhibition, Percy House Gallery - Cockermouth, Cumbria
2005:   Wool Fest - Cockermouth, Cumbria
2004:   Exhibition, Ruskin Museum - Coniston, Cumbria
2004:   Exhibition, The Art House - Brigham, Cumbria
2004:   Artists in Residence, Theatre By The Lake - Keswick, UK
2003:   Exhibition, The Painted Penguin - Caldbeck, Cumbria
2003:   Tracing the Threads, Cajobah Gallery - Birkenhead, UK
2002:   Exhibition, The Ombersley Gallery - Worcestershire, UK
2002:   The Ties That Bind, Canberra Potters' Society Gallery - Canberra
2000:   Exhibition, Beaux Arts Gallery - Ludlow, UK
2000:   Our Mothers, Our Daughters, Spiral Gallery - Bega, NSW
2000:   Accredited Professional Members Exhibition, Craft ACT: Craft and Design Centre - Canberra
Selected commissions/awards/grants
1996:   Churchill Fellowship, Australia
1965:   Travelling Scholarship, Worshipful Company of Glaziers and Painters in Glass, UK

 

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