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Annie Trevillian

Annie Trevillian
Artist's statement

Annie Trevillian is an artist, textile designer and screenprinter. Annie's work is inspired by her surroundings and the textile designs of the 1950s. The latest design, The Park, is be made up of drawings, paintings and handprinted designs. Annie uses multiple digital techniques to form repeat imagery and most recently using a digital printer with fibre reactive dyes on silk to create new work.

Annie continually moves between many different ways of working - painting, drawing, screenprinting and computer work - in manipulating her imagery. However, despite extensive use of photographic and digital techniques, she says "I still keep coming back to something more personal, more physical, like the handprint."

In 2006 she presented an extensive exhibition, Annie Trevillian Handprint, capturing work from 1983 - 2006 including screenprints on both fabric and paper and featuring a specially produced tufted rug created as a result of research into new mediums for her work. This overview exhibition was presented at Megalo Gallery in Canberra in 2006. In conjunction with the exhibition Annie was Printmaker in Residence at Megalo, where she trained artists Emma Rees and Rachel Fields in multicolour repeat printing on the Megalo fabric table as the cover of the catalogue for the exhibition.

Annie has taught printing on fabric with pigments, dyes, resists and chemical treatments in the Australian National University School of Art Textiles workshop since 1992. She has been associated with Megalo Access Print Workshop for 24 of its 27 years as a printmaker, project artist and board member. She received the Capital Arts Patrons Organisation (CAPO) 2006 Fellowship, artsACT project funding (to assist in production costs of the catalogue) and assistance from the Australian National University in the Outside Studies Program.

Recent work
Cone Leaf Tree
  • Cone Leaf Tree, 2006
  • Rug design, tufted wool rug
  • Dimensions: 230 x 300
  • Photo: Margot Seares
Tree Collage
  • Tree Collage, 2006
  • Design for digital print on hemp
  • Dimensions: 150 x 500
  • Photo: Annie Trevillian
Trees
  • Trees, 2006
  • 4-colour pigment screenprint linen/cotton bookcloth
  • Dimensions: 108 x 200
  • Photo: Annie Trevillian
The Park
  • The Park, 2006
  • Digital print with fibre reactive dyes on seedy silk
  • Dimensions: 110 x 500
  • Photo: Annie Trevillian

Bass Gardens Panel Series
  • Bass Gardens Panel Series, 2003
  • Pigment screenprint on hand-dyed silk and found fabric
  • Dimensions: 25.5 x 20.5
  • Photo: Margot Seares
Cones
  • Cones, 2006
  • Digital print with fibre reactive dye on cotton duck
  • Dimensions: 21 x 37
  • Photo: Margot Seares
Biography

My first contact with Megalo Access Arts was in 1984 at the Ainslie Village workshop. I was asked to design a poster. I did the design and Megalo Access Arts did the separations and the printing. I then went on to do a weekend workshop in fabric printing and the rest is my screenprinting history.

I know we are in a unique situation here in Canberra Australia with purpose built equipment in the Textiles Workshop at the Australian National University School of Art and upgraded facilities in dye printing at Megalo Access Arts which Jill Pettier and I have contributed to with our ongoing research into Chemical Treatments of Fabrics.

I have earned recognition for a place in the history and practice of printed textiles in Canberra from my continued involvement in all aspects of fabric printing both as a practitioner and as an educator in Textiles.

Printed cloth can be seen as a decorative art form but it has as its basis a strong technological foundation. As a medium printing on cloth has encompassed new processes with constant research and development and progressed from simple hand cut stencils printed by hand in pigments to dyes to highly sophisticated direct digital printers which can reproduce thousands of colours.

I have strong technical skills and years of experience in stencil preparation and application, colour research and application and computer generated design. My 2006 Residency at the Centre for Design and Printed Textiles, Montreal, Canada sparked my interest in digital prints on cloth with fibre reactive dyes.

Selected exhibitions
2007:   Matrix 6, Megalo Gallery - Canberra
2007:   Studio Pieces, Craft ACT: Craft and Design Centre - Canberra
2007:   Lightweight (travelling exhibition), Dunedin, New Zealand and Australian National University School of Art Foyer Gallery, Canberra,
2006:   ANNIE TREVILLIAN: HANDPRINT: Design on fabric and paper; Selected Work, 1983-2006, Megalo Gallery - Canberra
2006:   ANU-Kyoto Seiko University Exchange, Australian National University Drill Hall Gallery - Canberra
2005:   25 x 25 25 years of printing history, Megalo Gallery and MGnsw touring ehxibition,
2005:   get printed, Megalo Gallery - Canberra
2005:   de/sign/ed (showcase exhibition of ANU School of Art Staff), Australian National University School of Art Gallery - Canberra
2004:   Bass Gardens Series, Fremantle Arts Centre - Fremantle, WA
2003:   Megalo Members Show, Megalo Gallery - Canberra
2003:   Craft for Xmas, Craft ACT: Craft and Design Centre - Canberra
2003:   Site and Soul, Canberra Museum and Gallery - Canberra
Selected commissions/awards/grants
2007:   Canberra Critics Circle Award for Handprint exhibition and catlaogue
2006:   Project Funding artsACT
2006:   Printmaker in Residence Megalo Access Arts
2006:   Capital Arts Patrons Organisation (CAPO) Fellowship
2006:   Outside Studies Program ANU
2002:   Inkjet Research Facility, Research team member ANU
Selected publications
2007:   Textile Fibre Forum, Issue 1, no. 85, front cover, inside cover pp. 14
2006:   Annie Trevillian: HANDPRINT: Design on fabric and paper; Selected Work, 1983 - 2006, Solo catalogue
2006:   ANU - Kyoto Seika University Exchange, ANU Drill Hall (catalogue),
2005:   25 x 25, 25 years of printing history Megalo Gallery (catalogue),
2005:   de sign ed, ANU School of Art Gallery (catalogue),
2005:   Davis Salt, Material Matters, Materials Monthly, May 2005
2005:   Ann McMahon, get printed, artlook, 15, September 2005, p. 10

 

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