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Phoebe Porter is a Melbourne based contemporary jeweller whose work explores industrial processes and mechanical parts. Each of her designs is refined to its necessary elements, often using the fastening mechanism as a starting point which then becomes integral to the design.
Porter uses industrial materials and processes in combination with traditional gold and silversmithing techniques, combining machine and handmade elements. Movement and the tactile qualities of jewellery are continuing themes in her work, as is a tendency to work in multiples.
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Porter graduated from the Gold and Silversmithing Workshop of the ANU School of Art in 2001 where she studied under Johannes Kuhnen and Ragnar Hansen. She undertook complimentary studies in Product Design with Gilbert Riedelbauch who encouraged her to pursue Computer Aided Design in combination with traditional techniques. Computers continue to play a strong role in her work both during the design process and to generate files for CNC processes.
A fascination with mechanical parts and working with multiples led Porter to approach Blanche Tilden to be a mentor and in 2005 she undertook a three-month mentorship with Tilden funded by the Australia Council. In 2008 the pair won a Victorian Premier's Design Mark for their ambitious collaborative jewellery project General Assembly.
Porter has received a number of grants and awards, most recently New Work grant from the Australia Council in 2010. She currently works from a studio in the extraordinary Mercator building at the Abbotsford Convent.
| 2010: | By Example, Museum of Arts and Crafts - Itami, Japan |
| 2009: | Location Devices, Metalab - Sydney |
| 2009: | Art Work, School of Art Gallery, Australian National University - Canberra |
| 2009: | Contemporary Wearables, Toowoomba Regional Art Gallery - Toowoomba, QLD |
| 2009: | Alumina, Foyer Gallery, ANU School of Art - Canberra |
| 2008: | General Assembly - Open Studio 09, State of Design Festival - Melbourne |
| 2008: | Location Devices, e.g.etal - Melbourne |
| 2008: | General Assembly - Open House 08, Canberra Glassworks - Canberra |
| 2008: | Designersblock, Fossick - London, UK |
| 2008: | In the Making, Craft Victoria - Melbourne |
| 2008: | National Contemporary Jewellery Award, Griffith Regional Art Gallery - Griffith, NSW |
| 2008: | Convent Salon, c3 Gallery, Abbotsford Convent - Melbourne |
| 2007: | General Assembly - Canberra, Workshop Bilk - Queanbeyan, NSW |
| 2007: | Smart Works: Design and the Handmade, Powerhouse Museum - Sydney |
| 2007: | Moving Parts, e.g.etal - Melbourne |
| 2007: | General Assembly, Craft Victoria - Melbourne |
| 2007: | Glass Jewellery 07, Workshop Bilk - Queanbeyan, NSW |
| 2007: | 50 Brooches, Craft Queensland - Brisbane |
| 2007: | New Under the Sun: Australian Contemporary Design in Jewish Ceremony 3, Jewish Museum of Australia - Melbourne |
| 2006: | Est.2005, Craft ACT: Craft and Design Centre - Canberra |
| 2010: | Australia Council New Work Grant - Established Category |
| 2008: | Victorian Premier's Design Mark, for General Assembly with Blanche Tilden |
| 2007: | Arts Victoria - Arts Development Creation Funding, for Location Devices |
| 2006: | City of Melbourne Arts Grant, for General Assembly with Blanche Tilden |
| 2005: | Australia Council Emerging Artist Mentorship Grant from Craft ACT: Craft and Design Centre |
| 2005: | Australia Council New Work Grant - Emerging Category |
| 2010: | Anastasia Young, The Workbench Guide to Jewelry Techniques, Quarto Publishing, London |
| 2009: | Viviane Stappmanns, The Melbourne Design Guide, Alphabet Press, Melbourne |
| 2008: | Any Lim, The Compendium Finale of Contemporary Jewellers, Darling Publications, Cologne and New York |
| 2008: | Merryn Gates, Four ways to go from A to B, Craft Culture Online magazine |
| 2008: | Merryn Gates, General Assembly: A review in Parts, Craft Culture Online magazine |
| 2007: | Grace Cochrane, Smart Works: Design and the Handmade, Powerhouse Publishing, Sydney |